Mejores 14 guitarra studios.

Opinión de un comprador: Las opiniones negativas son de gente que no entiende lo que compra,si estas buscando cascos hifi con soldado no son los tuyos,son cascos de respuesta plana,está pasando lo mismo que los que adquieren unos monitores de estudio para oír música,obviamente no se encuentran tan genial acabados desde que se movió la producción a asia pero el sonido sigue siendo mismo.
Señores sepan lo que adquieren.

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Opinión de un comprador: Tamaño diminuto , tono bonito y funcionamiento extraordinario.
Te llega con sinfín de utencilios y mas que se van modernizando en el cuidado de focusrite. .Una pasada!
Además es de fácil montaje , conectar usb y listo.
Para nombrar algo malo , para la próxima cersion añadiria un boton de on/off , de hecho puedes desconectarla en cualquier momento tirando del conector sin darle a echar dispositivo , pero debes de bajar todos los diales a 0 si no deseas cargartela.

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Opinión de un comprador: Muy buen precio. Sencillo de ubicar. Aguenta bien una guitarra española, no sé si podrá con instrumentos musicales de más peso. .. .

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Opinión de un comprador: Really easy to assemble, and quality appears to be great.
Comfort wise, I have sat on the seat for an hour at a time an have experienced no discomfort. The adjustable back rest makes dialling it into your specific shape adds to the comfort.
Would have liked a slighly higher or even adjustable foot rest, but that's maybe to much to ask at this price point.
Yes I would recommend this product.

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Opinión de un comprador: If you're a gigging guitarist or a student starting up a band,this is the guitar strap for you.
It's a little pricey-but if you can afford it-treat yourself!
It's easy to use;sturdy;comfortable and should suit most adults.
The strap design is ravishingly beautiful-a little bit like some of Ciénaga Klee's paintings.
And if stored properly,this strap should last for years.
Just using this strap makes me feel like a better guitarist. ..
Good for your guitar;good for your music. And good for your soul.

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Opinión de un comprador: Sin duda el mejor volumen que he considerado para estudiar a sonar la guitarra, durante sus bastante más de doscientos páginas explica de manera sencilla y educativo como estudiar a sonar guitarra acústica, aunque considero que sirve para otro género de guitarra como la clásica. Me encuentro muy contento con esta compra.

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Opinión de un comprador: Ottima chitarra 1/2 per bambini (6-8 anni. .. ) Che desiderano avvicinarsi alla musica con questo strumento.
Ottimamente protetta e imballata per il trasporto. Consegnata in avance!
Complimenti per l'ottimo servizio 😀

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Opinión de un comprador: La chitarra che regaliamo alla nostra nipotina è stata consegnata ligeramente ed era imballata con molta cura. La chitarra è molto bello, appare molto curata nei dettagli e a giudizio della maestra di música (che ci aveva consigliato la empresa) ha un ottima sonorità. Siamo molto soddisfatti.

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Opinión de un comprador: QUIET! This thing is QUIET! None of the convencional "popcorn" from nearly every other stomp box compressor I've known.
GENERALLY:
Dispite the addition of an input pot, I feel this compressor won't get as "Hard" as others, including the earlier MXR model, the Super Comp. I'm still playing with the settings. But I can't seem to get a reasonable Nashville Chicken Pickin Bark out of it. On the OTHER end of the compression, it's smooth as I've ever heard any rack mount studio comp sound. And that's the settings I'm in most of the time. Low compression, just barely bringing down the peaks. Nice smooth jazzy sound on a pretty stock tele.
THE Taberna GRAPH:
It's kind of interesting to know when there's compression going on. But generally, the supino LED thing is just sitting over there doing it's thing. It's not like you'd want to watch it. Mildly distracting to audience members if they can see your pedals.
THE ATTACK CONTROL:
I've yet to figure out which direction does what with this pot. In the older Super Comp, I think(? ) it worked in the opposite direction as this newer model. But in both, I never felt like the mando does much either in very mild compression or harder Nash Cluck.
THE INPUT OBSERVACIóN:
This seems like a fabulous idea. Pre-gain into a compressor that's adjustable. Seems genial. BUT, it doesn't really seem to have much of a GAIN effect. More like a pot to DISMINUYE the input. I'm sure it's an op amp stage or something so there should be something like quince-25dB gain. But on mine at least, I use it pretty much close to full clockwise. Otherwise there is essentially ZERO compression showing on the LED's at ANY ratio setting.
THE OUTPUT CONTROL:
I consider this one of the most crucial controls on any compressor. On this MXR, like my previous MXR, the "sweep" of the pot seems HUGE. The appropriate output increase is like a 16th of an inch of rotation. NOBODY would ever need full CW or CCW. MXR, PLEASEmake the pot a smaller value so you can truly ADJUST the output. As is, it probably changes 12-15 dB with the smallest possible turn of the knob. No way you could ever do it on stage. And no way you could ever "re-find" the settings by marking the case. The thickness of your mark would be a monsterous increase or decrease in output gain.
THE SUSTAIN control:
I've never heard it pump, no matter where I've got the sustain pot kit. This observación might be the only one with a reasonable amount of sweep over it's functional range. It's not insane in one direction and then ten bazillion in the other direction. It does as you'd expect. Shortens or lengthens the reverb tail.
THE 4 POSITION RATIO control:
I'm not sure what the reasoning is for putting detents on the ratio pot. I'd have to sospeché most guitarists want an infinitely cambiante control. Even if these pre-determined settings are what we all use, I think guys want to twist it till it sounds the way they want, not just click on a number. I'd rather see the more traditional "2 to Infinity" observación. MXR seems to suggest that you pick a ratio setting with this knob, and then adjust the input gain to get the compression you want. That seems a little backwards to me. Starting with the gain and tone you want and THEN bringing down the peaks, seems like appropriate compressor use. It's how every studio engineer I've ever known does it. MXR is asking us to first kit the compression and THEN adjust the input gain (and therefore tone) to achieve the squash we want.
MAJOR CON:
Geez! I wish palanca makers would pare putting those insanely bright blue LEDs on their boxes. It's so stupid bright that it literally lights up the stage in a jazz club. It's just ridiculous. Masking tape topped with sharpie tones it down.
OVERALL:
I'm guessing this is MXR's foray into "Factory built boutique pedals". I think what I've got here is a very good compressor for the light jazz peak leveling that I do. But It would definitely NOT be useable for chickin pickin. That's probably the two most frequent modes used in any compressor. So for two bills you get a really quiet box that does cincuenta% of what's required. I'd be very happy to see MXR improve this pedal. Get some more input gain, less output gain sweep, leave or remove the LED Bar graph, but surely get rid of the insane blue LED pilot lamp.
I'll keep it. Only because it's so darn QUIET. But overall, I'm not concreto happy about paying 200 bucks for a compressor that won't do nash cluck.
Thanks - Lumpy

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Opinión de un comprador: Passer un peu de temps à essayer tous les réglages pour ne pas paniquer au moment de trouver son son. Une fois apprivoisé, c'est le paradis.

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