Los mejores 19 Pedales Compresores Guitarras Bombeos.

Opinión de un comprador: Fantástico, con la compresión necesaria y sobrado.

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Opinión de un comprador: Aunque no soy muy de pedales me han parecido estupendos.
Confieren rigidez al set de pedales y mejoran el equilibrio en el suelo.
No entran en contacto con el suelo (como los cables) por lo que se evitan derivaciones eléctricas y ruidos.
Son muy compactos y son más resistentes que los latiguillos de cable convencionales.
El empalme recto es perfecto para pedales de volumen estándar y los asimétricos te dejan acoplar cualquier otro tamaño raro de pedal.
Muy contenta con la compra y precio. Los recomiendo.

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Opinión de un comprador: Una vez que recibí el pedal lo primero que me llamó la atención es lo mini y ligero que es.
Son 4 resultado con unos controles muy fáciles. El primer producto COMP en un compresor, como su propio nombre completo sugiere, sencillo y que hace un gran borde del audio del requinto. Iris, si todas tus pastillas no están teniendo mucha marcha te va a atar.
El segundo BLUES es un Overdrive bastante bueno, con un sonido algo grueso.
El SLAPBACK es una pasada de delay, bastante fácil de colocar y muy buen audio.
El AIR es realmente lo ideal de este pedaleras, se trata de un reverb que da mucho aire a la guitarra, especialmente si lo utilizas con la opción Cabinet Sim On.
Después de llevar unos cuantos dias probando todos los resultado y combinación es me ha llamada mucho la atención lo discreta que es, no mete ruido en el ampli, es como si no estuviese allí, realmente silencioso.
Los efectos entre sí combinan bien y no crean distorsiones unos con otros.
Estoy deseando que se levante el confinamiento y poder llevarla al locan, ya que entra perfectamente en la cubierta de la guitarra.
Por investigar fallos, podría estar bien que los controles de Los efectos fueran algo más grandecitos, y si además tuviese integrado un afinador ya sería la bomba.
Iris, debes usarlo con la fuente de claridad que llega, sino la distorsión suena rara.
En fin, compra estupenda, una pedaleras espesa, confortable y con buen audio, sin duda la vendría a adquirir

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Opinión de un comprador: Sin resultar un experto, el pedal hace su funcion. Proporciona algo de tono difícil al audio, pero para el valor es bastante bueno.

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Opinión de un comprador: Esperaba bastante mas de CS3 - Pedal efecto Compression Sustainer Boss y lo unico que hace es incrementar el volumen, por lo demás lo puede lograr con los potencio-metro del altavoz

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Opinión de un comprador: This is the best compressor (palanca)I've found so far. My one enfriamiento was that the screws you have to unscrew to get into the battery compartment were originally screwed in so tight I ended up breaking one just to get in there - hence I would have been unable to return it had I been dissatisfied! Fortunately I wasn't; this little gem ain't goin nowhere! Has anyone else shared this experience or was it just a one-off? A. M.

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Opinión de un comprador: Muy conveniente, añade un tono increíble a La guitarra y con esto un salto muy en calidad, sin duda el mejor pedal que he pagado y todavía precio de calidad para lo que hay por allí, tiene un poco de soplido por lo menos en mi ampli fender Hot rod deluxe,, pero con una puerta de ruido lo he borrado sin quitar apenas tono.

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Opinión de un comprador: I'll get the single negative out the way first - that overpowering LED in the middle of the pedal! I have a few pedals with ridiculously bright LEDs but this wins the prize for the longest eyesight recovery time! The lit dials are great, on the other hand, and can even be turned on or off. Shame the centre LED wasn't added to that circuit.
As a compressor, however, this is great. It's the blend control that does it for me. Being able to add back some of the uncompressed original keeps tone and rendimiento alive and well. Cranking the drive knob adds a bit of hair into the signal, but not so much as to overdrive it. I have it after my overdrive/fuzz and before eq and the noise suppressor loop. Sometimes there is a wah in there after the dirt pedals but I haven't tried that with this compressor in the chain. It certainly tames my Big Muff without losing it's thick goodness and it works brilliantly on clean tones as well. I regalo't do much fingerpicking but the little I do just sounds better.
Appearance-wise, other than that centre LED, it is solidly built and finished really attractively. The one saving grace of that LED, by the way, is that it espectáculos you when the compressor is working harder (it turns pink) so it's a good visual cue to help setting it up. Wear sunglasses, though. . .it's that overpowering! I'm going to have to cover that with something,
I'm using this in the studio only and it's replacing an effective(ish) Marshall ED-1. I've started trying to find the tone I like and commit that when recording, rather than endless post-recording tweaking in the DAW with amp sims, good as they are these days. This is how we used to do it, and it feels much more 'concreto'! I also have to think harder about what I'm trying to achieve before I hit record, and that's a good thing. As part of this process I am replacing many of my pedals, which previously were only there for noodling around and never got recorded.
Overall, I recommend The Bends compressor to anyone looking for a fairly transparent, well built tool. If you want something more obvious then the MXR Dyna Comp would seem to be the way to go in a afín price range. If I'd been in a bad mood I would have knocked a star off for that LED issue, but I am in a good mood, so I won't. Let's say 4.5/5*.

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Opinión de un comprador: Llegó un par de dias antes de lo pensado, con lo que ahora ya he podido demostrarlo con mi lista. Es, sencillamente, una pasada. Empezando por el preamplificador, me ha aportado precisamente lo que requeria y de lo que carecía el amplificador que hay en el local de entrenamiento. Es muy polivalente y formidable, no sé si es el sonido Ampeg o no, pero me encanta; el Fuzz, directamente lo he implementado a un igual de temas que tocamos, ¡es embriagador! ; El compresor/boost apenas lo probé porque no hizo falta, con el previo es mucho más que bastante, pero no sospechó que me ayudará en un futuro; finalmente, el octavador no me ha parecido enorme elemento (he experimentado Ashdowns, que vienen con octavador y nunca me ha provocado por usarlo), por lo que animaría al creador a que lo sustituyera por un afinador. Sería el pedal perfecto. He experimentado pedaleras de múltiples marcas, pedales Boss y algún otro y tan solo puedo mencionar maravillas de este cacharro. Además, es reducido y llega con su alimentadora.

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Opinión de un comprador: This pedal is a one trick pony. It's just a shame the trick isn't the one you think you're paying for.
The palanca has small rotary pots for level and tone, and a large pot labelled "COMP". The last of these is described in the manual as being "compression intensity", but in practice things are a bit more complex.
The level control will go from silence to a significant boost.
Obtaining volume parity with this pedal is something of a fiddle if you are changing the compression setting. Dialing the comp pot all the way clockwise provides a huge amount of additional volume as well as (supposedly) more compression. So, unless you are looking for that kind of boost you will constantly be adjusting both the comp pot and the level to retain parity.
This might present a problem if you need to adjust for different use cases, but I'd sospeché most players will simply find a setting that adds something fairly subtle and kick it in when required. Adjustments on the fly between songs (or during) would be quite difficult. The level control is too small to operate with the necessary requerimiento.
The tone control is at parity when kit at 12 o'clock, and it adds a nice treble when wound fully clockwise, and accentuates the bass when wound the opposite way. Might be useful to have that in the chain if you regalo't have it elsewhere.
There's also a small switch to provide superior treble and what the manual calls "bite", but I was unable to see why this was seen as a useful addition since the tone control seemed to do it better. The "bite" was the kind of thing I'd seek elsewhere, but some may find it useful.
It's telling that the tone pot and tone switch have been assigned those functions when other more desirable functions are missing. The switch might have been better used to allow the choice of two attack/release profiles, and the tone pot could have perhaps been dedicated to sustain, emphasizing the softer part of the signal.
The lack of any attack, release or sustain controls means you are stuck with whatever the preset values are. I made a ensayo recording of the amplitude with the volume set to parity for soft compression (comp pot all the way anti-clockwise) and then for the hardest (comp pot all the way clockwise).
Compared to the unprocessed signal the hard compression made the initial attack spike and then smooth out, with the tail of the note somewhat more sustained. The softer compression setting had a afín attack spike and then compressed the tail of the note less, meaning it actually had more volume (given that volume parity was achieved with the level pot).
My understanding of compression (being a contínuo user in various DAWs) is that it should squash the loud parts of the signal and boost the softer parts, so that adding more should lead to a smoothing out where the loud and soft parts are brought closer together.
There is no setting on this palanca which I could get to do this. There was always a loud spike at the start, much louder than parity, which led to a slightly heightened tail, but there was no possibility of getting the compressor sound where all the "air" has been sucked out of the dynamics. What you hear on a clean sound is a distinct "pop" at the start of the signal, and once volume parity is achieved there is effectively little or no difference in the signal from that point on regardless of whether the comp pot is kit high or low. The comp pot seems to me to simply act like an distinga boost. There may be a subtle difference in the compression, but I could not hear it.
This isn't really a compressor, it's an enveloped boost of some kind with a sharp attack and not much else.
Rather more worryingly I could not get a clean signal from a humbucker pickup with this pedal (on any setting) unless I dialed the volume down on the guitar. Coil tap worked fine.
In término, the Donner compressor is not a fully featured compressor, nor even really a compressor. It provides one sound - enveloped boost or "popping" - but it doesn't lift the softer parts of the signal appreciably.

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Opinión de un comprador: Es un delay de bastante buena calidad, robusto y bien constituido. Carcasa metálica. Y, lo ideal, suena estupendamente. Tiene un rango muy y de demasiada calidad. Y está teniendo precio irresistible. Puede medirse sin sofisticados con delays mucho más costosos. Sencillo, confiable, bueno y barato. ¿Cual más puedes solicitar? Eso sí, no posee compartimento para pilón, tan solo trabaja con alimentador, pero a mí no me importa. Tengo alimentadores de sobra y es mucho más cómodo que ser empezando el aparato y sustuir las pilas, que acostumbran agotarse en el peor momento siempre.

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Opinión de un comprador: This compressor pedal is absolutely superb. The controls are elegant, fácil, effective and deliver a range of signal compression effects which is impressive. I bought the palanca to help ‘level’ the sound signal from the individual strings of an electric / classical guitar. Piezo pick up output is a bit of a lottery. .. .it all depends on string tension and the sound delivery is reliant on string pressure balance at the point of contact with the saddle. I cannot afford, nor do I have the space for a sophisticated microphone kit up in an auditorium of limited reverberation time.
Classical guitar strings are not really designed to be ‘amplified’ by contact electronics, the 6 strings have a tension differential which is exacerbated by the unusual arrangement of ‘wound’ bass strings and clear nylon trebles.
This 3 wound x 3 plain string structure has been in existence for many years. .. Capacidad’t change it. .. Work around it. .. This is part of the distinctive character of the instrument. .. .. Which is my favourite instrument.
I do have and I do play a nice ‘acoustic’ classical guitar. .. .but it is almost impossible to record from the instrument. .. .feed back. .. Harmonic overtone problems etc.
So why bother with a recording. .. .. .well. .. It is only at the request of family members. .. .. They say ‘ a nice thing to keep’.
This magical little box does it. Simple and effective. .. .. No fuss! Amazing balance of amplitude. .. .. .Ry Cooder uses a compressor. .. That’s where I got the iniciativa.

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Opinión de un comprador: After trawling through countless online reviews, I decided this was the right compressor pedal for me. Not the cheapest on the market, but definitely worth the money.
It's controls are fácil to use but give quite a range of compression and/or sustain. The attack settings are a nice touch, too.
Some reviewers have said this is a noisy pedal. .. .. Wrong. No noise (unless you use a crap power supply, or really cheap and nasty leads).
If you think you need or want a compressor pedal, then you can't go wrong with this one.

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Opinión de un comprador: Vaja y sube el volumen

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