TOP 25 guitarra mxr.

Opinión de un comprador: Me gustó bastante es ideal. Era lo esperado en todos los aspectos saca una distorsión a la guitarra super heavy. Óptimo.

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Opinión de un comprador: Este booster cumple muy bien por lo que estaba buscando, borde del audio y añadiéndole matiz pero considerando su tono original. Es como agregar dos válvulas más a tu propio audio.
Lastima que la transferencia se retrasase mas de cuenta. En cuanto al resto, el pedal llegó en óptimos talento.

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Opinión de un comprador: Sweet, warm, fuzziness.

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Opinión de un comprador: Excellent pedal for Eddies brown sound, it generas sounds from all van halen albums without to much playing with the controls. It also generas good overdrive tones on general, was very good for ZZ top as well. The built in noise gate is very good and stops amp hum. It is best used with a clean amp or clean channel. I returned mine though as the OD channel on my blackstar HT5R amp produced just about the same tones.

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Opinión de un comprador: Un gran compresor, pero no sin duda el mejor. Por ejemplo los Carl Martin alto rango son superiores. Aún así pues este va nien

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Opinión de un comprador: Esperaba bastante mas de CS3 - Pedal efecto Compression Sustainer Boss y lo unico que hace es incrementar el volumen, por lo demás lo puede lograr con los potencio-metro del altavoz

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Opinión de un comprador: This is the best compressor (palanca)I've found so far. My one enfriamiento was that the screws you have to unscrew to get into the battery compartment were originally screwed in so tight I ended up breaking one just to get in there - hence I would have been unable to return it had I been dissatisfied! Fortunately I wasn't; this little gem ain't goin nowhere! Has anyone else shared this experience or was it just a one-off? A. M.

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Opinión de un comprador: Adquirí los de volumen de 60cm para subir una pedalera y fué una buena opción. Los pedales van enchufados a una controladora de pedales (pxl-8) y los cables cortos no llega, así que con esta misma volumen genial. Destacar que al tener parejas de distintos colores con una ojeada localizo que palanca va a que entrada (8 entradas y 8 salidas).

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Opinión de un comprador: Después de probarlos un mes me queda bastante buena valoración de estos cables. Poseo un equipo muy decente, en cables no me encanta gastarme mucho, normalmente adquiero cordial en Thomann que trabajan perfectos a importe justo. Por economizar costes envio probé estos otros, van perfectos y los materiales parecen buenos.

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Opinión de un comprador: A criticism sometimes levelled at this Phaser pedal is that it is more expensive than the MXR block or script versions. The reason for this is fácil, this EVH version is BOTH of those pedals in one. You are not paying extra for the paint job and endorsement you are paying for the versatility of two different Phaser sounds available to you in one. The script button swaps between the two different types.
With only one observación knob it may look at first glance to be low on features but rotating said mando knob makes a huge difference to your sound and with the included registro knob cover you can alter the setting level with your foot, a fácil but really useful feature.
I use this palanca before the overdrive (high gain) in my palanca chain with a relatively low setting (around 8 o'clock) In script mode and it sounds fantastic. The articulate way this palanca responds to your playing style gives it an 'organic' feel, clear and warm, harmonic, it becomes an total part of the sound you already have even at relatively high settings, the sound is natural and sonoro. There really are no bad sounds within this pedals settings every sound is usable throughout its whole range your style and preference will dictate how you use it and not the limitations of the pedal and with the aforementioned foot cover on the mando knob you can make level changes mid song, to go from soaring lead to whooshing special effects then right back again.
Who should buy this palanca? Anyone playing any style of music wanting a good quality natural sounding phaser. This is not just for mineral, although rest assured it does that style to perfection.
Who shouldn't buy this palanca? If you try out an MXR script Phaser and an MXR block Phaser (the orange coloured ones) and are cien% sure you will only ever want to use the sound of whichever of those you prefer then you could save a few motivo and buy only that version. I probably will only use the script setting on my EVH but for around £treinta superior when compared to the price of a new script version, at the push of a button I have access to all the great sounds available in the block version as well, for me that was a no brainer but the choice is yours, what I know for sure is you will never regret owning this EVH version even if you only pack it to one setting and never alter it again you will always know the other settings are there if you need them.

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Opinión de un comprador: This Analog Chorus by MXR is perfect for that original ‘Bucket Brigade’ sound. The unit itself is solid and sturdy, indicative of that typical MXR build quality. One issue I can comment on is that this palanca is not true bypass, meaning your tone will be slightly affected even when the palanca is bypassed. I put this down to being a characteristic of the pedal, though, and because I love the the tone this pedal creates I can see way beyond it!

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Opinión de un comprador: Nice, rich chorus sound with good flexibility and range of adjustment. The X-Over feature filters out the chorus effect on lower frequencies which is good when playing chords, helping the high notes get a rich chorus sound while keeping the lower notes tight. The flanger function is ok but not that useful to me, it's a nice extra feature but the quality chorus is why you buy this.
The unit is small, rugged and made the convencional MXR / Jim Dunlop quality standards.

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Opinión de un comprador: This is a really nice 'clear' overdrive - sounds like you're pushing your amp into overdrive rather than changing the sound with a drive pedal. It's got quite a lot of gain on tap too - though obviously not enough to go mineral.
I can't tell too much of a difference between the clipping modes, just picked the one that sounded right to me and left it there.

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Opinión de un comprador: So, I bought this pedal to use without an amp, for recording. The problem is that without a grounded amp on the output of the palanca, there is no route for the leakage current from the power supply to get to ground other than through your mouth when it touches the microphone. Ouch! Typical for a switch mode power supply, the leakage current builds up an SONORO voltage of 115v on the power supply plug, which the palanca transfers onto the strings of the guitar and then, zap! Only a limited amount of charge but enough to hurt.
With an amplifier connected to the output of the palanca, this charge has a route to ground and is not a problem but if you are looking to use this for recording as well as rendimiento, you will need to bear this in mind.
This is a poor design decision from Dunlop/mxr as there are better choices for power supplies which do not do this. I would much rather pay an estupendo couple of pounds rather than getting zapped in the face.

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Opinión de un comprador: Quería un fuzz de audio agresivo, y claro el FZ2 original cuesta un pastizal de usados al no fabricarse a dÍa de hoy.
Una vez que lo abrí es cierto que me supuso "cutrecillo" por el aspecto en plástico y ese, pero bueno, tampoco se es pagando precio alto, así que se sobreentiende que la calidad del pedal no resultará suprema.
Sin embargo al probarlo me supuso cojonudo. Tal vez no sea un sonido que guste a todos, pero para mí es la hostia, además puedes ajustarle los agudos y graves (puedes sacarle un gran low end bastante bonito)
Otra atracción es que si eliges la posición entre el fuzz 1 y 2, dejando la pestaña entre las dos, tienes una mezcla de las dos sonidos que para mí es la mejor para realizar riffs que suenen a abominación. ..
Finalmente, si os mola realizar solos, se puede utilizar como boost y queda genial, muy apretado y con sustain, le meteis algo de distorsión al ampli (con la propio del ampli o con un overdrive) y luego complementais con el boost sumandole la eq del pedal, poder y algo de distorsión y a solear.

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Opinión de un comprador: This is an amazing pedal. If you live that late 70’s early 80’s Marshall stack sound with the harmonic overtones of that era. This palanca is for you. I listened to the utube demos, but they regalo’t do the live sounds justice.
Totally recommend this product.

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Opinión de un comprador: Excellent

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Opinión de un comprador: Ottimo reverberación; molto semplice da usare per ottenere l'effetto desiderato con solo 3 parametri; i 6 effetti che incluye sono tutti ottimi; l'ho usato anche su voce e lo trovo ottimo

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Opinión de un comprador: El pariente más grande del Phase 90 con más opciones de modulación. Simplemente un tesoro de pedal. Si deseas un phaser cálido y polivalente, este es el pedal.

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Opinión de un comprador: QUIET! This thing is QUIET! None of the convencional "popcorn" from nearly every other stomp box compressor I've known.
GENERALLY:
Dispite the addition of an input pot, I feel this compressor won't get as "Hard" as others, including the earlier MXR model, the Super Comp. I'm still playing with the settings. But I can't seem to get a reasonable Nashville Chicken Pickin Bark out of it. On the OTHER end of the compression, it's smooth as I've ever heard any rack mount studio comp sound. And that's the settings I'm in most of the time. Low compression, just barely bringing down the peaks. Nice smooth jazzy sound on a pretty stock tele.
THE Taberna GRAPH:
It's kind of interesting to know when there's compression going on. But generally, the supino LED thing is just sitting over there doing it's thing. It's not like you'd want to watch it. Mildly distracting to audience members if they can see your pedals.
THE ATTACK CONTROL:
I've yet to figure out which direction does what with this pot. In the older Super Comp, I think(? ) it worked in the opposite direction as this newer model. But in both, I never felt like the mando does much either in very mild compression or harder Nash Cluck.
THE INPUT OBSERVACIóN:
This seems like a fabulous idea. Pre-gain into a compressor that's adjustable. Seems genial. BUT, it doesn't really seem to have much of a GAIN effect. More like a pot to DISMINUYE the input. I'm sure it's an op amp stage or something so there should be something like quince-25dB gain. But on mine at least, I use it pretty much close to full clockwise. Otherwise there is essentially ZERO compression showing on the LED's at ANY ratio setting.
THE OUTPUT CONTROL:
I consider this one of the most crucial controls on any compressor. On this MXR, like my previous MXR, the "sweep" of the pot seems HUGE. The appropriate output increase is like a 16th of an inch of rotation. NOBODY would ever need full CW or CCW. MXR, PLEASEmake the pot a smaller value so you can truly ADJUST the output. As is, it probably changes 12-15 dB with the smallest possible turn of the knob. No way you could ever do it on stage. And no way you could ever "re-find" the settings by marking the case. The thickness of your mark would be a monsterous increase or decrease in output gain.
THE SUSTAIN control:
I've never heard it pump, no matter where I've got the sustain pot kit. This observación might be the only one with a reasonable amount of sweep over it's functional range. It's not insane in one direction and then ten bazillion in the other direction. It does as you'd expect. Shortens or lengthens the reverb tail.
THE 4 POSITION RATIO control:
I'm not sure what the reasoning is for putting detents on the ratio pot. I'd have to sospeché most guitarists want an infinitely cambiante control. Even if these pre-determined settings are what we all use, I think guys want to twist it till it sounds the way they want, not just click on a number. I'd rather see the more traditional "2 to Infinity" observación. MXR seems to suggest that you pick a ratio setting with this knob, and then adjust the input gain to get the compression you want. That seems a little backwards to me. Starting with the gain and tone you want and THEN bringing down the peaks, seems like appropriate compressor use. It's how every studio engineer I've ever known does it. MXR is asking us to first kit the compression and THEN adjust the input gain (and therefore tone) to achieve the squash we want.
MAJOR CON:
Geez! I wish palanca makers would pare putting those insanely bright blue LEDs on their boxes. It's so stupid bright that it literally lights up the stage in a jazz club. It's just ridiculous. Masking tape topped with sharpie tones it down.
OVERALL:
I'm guessing this is MXR's foray into "Factory built boutique pedals". I think what I've got here is a very good compressor for the light jazz peak leveling that I do. But It would definitely NOT be useable for chickin pickin. That's probably the two most frequent modes used in any compressor. So for two bills you get a really quiet box that does cincuenta% of what's required. I'd be very happy to see MXR improve this pedal. Get some more input gain, less output gain sweep, leave or remove the LED Bar graph, but surely get rid of the insane blue LED pilot lamp.
I'll keep it. Only because it's so darn QUIET. But overall, I'm not concreto happy about paying 200 bucks for a compressor that won't do nash cluck.
Thanks - Lumpy

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Opinión de un comprador: Really good for the price. Much cheaper than songbird FX birdcord.
Slightly different enclosure than photograph ( larger, not a problem). Cable longer than necessary for a pedal board at around 1m.

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