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- Produces extreme, low-end distortion for modern metal and hard rock
- Gain Boost circuit creates huge distortion and sustain regardless of level
- New Bottom control for bottom-heavy distortion matched to 6 or 7-string guitars
- Tone control adjusts balance between high and low frequencies
- 1 M ohms Input Impedance
Opinión de un comprador: This pedal is actually really good. Much better than a DS-2 and much more versatile than you'd think.
Power amplifier distortion
Power valves (tubes) can be overdriven in the same way that pre-amplifier valves can, but because these valves are designed to output more power, the distortion and character they add to the guitars tone is unique. During the 1960s to early 1970s, distortion was primarily created by overdriving the power valves. Because they have become accustomed to this sound[dubious – discuss ], many guitar players[who? ] favour this type of distortion, and thus kit their amps to maximum levels in order to drive the power section hard. Many valve-based amplifiers in common use have a push-pull output configuration in their power section, with matched pairs of tubes driving the output transformer. Power amplifier distortion is normally entirely symmetric, generating predominantly odd-order harmonics.
Because driving the power valves this hard also means maximum volume, which can be difficult to manage in a small recording or rehearsal space, many solutions have emerged that in some way divert some of this power valve output from the speakers, and allow the player to generate power valve distortion without excessive volume. These include built-in or separate power attenuators and power-supply-based power attenuation, such as a vvr, or cambiante voltage regulator to drop the voltage on the valves plates, to increase distortion whilst lowering volume. Guitarists such as eddie van halen have been known to use variacs before vvr technology was invented. Lower-power valve amps (such as a quarter-watt or less), speaker isolation cabinets, and low-efficiency guitar speakers are also used to tame the volume.
Power-valve distortion can also be produced in a dedicated rackmount valve power amp. A decir rackmount setup often involves a rackmount preamp, a rackmount valve power amp, and a rackmount dummy load to attenuate the output to desired volume levels. Some effects pedals internally produce power-valve distortion, including an optional dummy load for use as a power-valve distortion pedal. Such effects units can use a preamp valve such as the 12ax7 in a power-valve circuit configuration (as in the stephensons stage hog), or use a conventional power valve, such as the el84 (as in the h